Unleash Your
Magnetic Voice.
Our programs empower performers, public speakers, leaders, and coaches through the mastery of the human voice.
Join us at Crescendo
and prepare to ROCK 2025.
It is an event like no other.
CALL TO ACTION MAGIC
Now available online!
My name is Monique McDonald, known to many as “The Magnetic Voice” and I am a Grammy-nominated, award winning vocal specialist and charisma coach. My passion is helping entrepreneurs and speakers align their voice with their passion and power so they can attract more clients and have fun making sales.
I created Call-To-Action Magic for my clients who have limiting beliefs or blocks about selling or often just feel icky about it. Often their inner misalignment around sales or asking for money conjured self-sabotage and limiting beliefs that would cause their magic or mojo to shut down. Call-To-Action Magic is now filling the gap for my clients between shrinking from the call to action moment to actually enjoying it. Most of them are even starting to find selling fun and easy!!! I can't wait to share this course with you, so you can voice your value and vibrate the world!
Are you ready?
In this course you will:
Identify and Reframe limiting beliefs around sales & asking for money
Activate your natural Voice of Abundance
Create clear, concise Calls To Action that convert
Practice standing in your power and making your offer
Discover 3 secrets that make your Call To Action fun and easy
PODCAST
Hosted by Monique McDonald and an array of guests, The Magnetic Voice Podcast creates a safe space for performers, public speakers, ministers, and visionaries to explore and process life concepts which will release blocks and unleash their authentic voice into the world.
Beautiful, powerful, and generous...the absolute diva Monique McDonald is incandescent, and inhabited the character (of Tosca) completely with strength and fury. Before throwing herself in the Tiber, her song was transformed into a cry.
— The Nice-Matin
Monique McDonald's dynamic stage presence and stunning vocal gifts have established her as one of the most beloved sopranos of our time.
Her powerful and moving performances have captivated audiences and critics alike, drawing praise from The New York Times, The LA Times, and Opera News among others. She is known as one of the prominent Verdi Sopranos of her generation.
After receiving high praise for her debut performance in the title role of Tosca with Teatro Comunale di Bologna, Italy, McDonald began her foray into the Verdi heronies, such as Aida, Leonora in Il Trovatore, Elisabetta in Don Carlo, and Lady Macbeth in Macbeth. She made her New York City Opera debut in the role of Donna Anna in Mozart's Don Giovanni and Seattle Opera debut in the title role of Strauss' Ariadne auf Naxos.
“One of the prominent Verdi sopranos of her generation.”
Ms. McDonald can be heard as the soprano soloist in the Grammy-nominated recording of Ned Rorem's Evidence of Things Not Seen, recorded live at the Library of Congress in Washington, D.C. and in the role of Serena in DECCA's Grammy-nominated recording of Porgy & Bess.
On the concert platform, McDonald has appeared as soloist at Carnegie Hall, The Kennedy Center, Library of Congress, New York Festival of Song, The Marilyn Horne Foundation, Caramoor Music Festival, Spoleto Festival USA, Santander and Verrano en La Villa Festivals-Spain, Italian Embassy in Paris (Italian and American Ambassadors in attendance), and commanded solo performances for the Prince of Monaco and the King of Belgium. Works performed include Verdi Requiem, Dvorak Requiem, Dvorak Stabat Mater, Brahms Requiem, Mozart Requiem, Mozart’s C Minor Mass, and Exultate Jubilate with conductors that include Maestros Anton Guadagno, Pier Giorgio Morandi, Paolo Arrivabeni, Christopher Hogwood, Lorenzo Muti, John Mauceri, Gerard Schwarz, and Skitch Henderson.
“Soloist at Carnegie Hall, The Kennedy Center, Library of Congress, Santander and Verrano en La Villa Festivals (Spain), the Italian Embassy in Paris, and command solo performances for the Prince of Monaco and the King of Belgium.”
A native New Yorker, Ms. McDonald has been a life-long student of her mother, Betti McDonald. In addition to being accepted into The Juilliard Opera Center, other honors include the Sullivan Foundation Award, the first Leonie Rysanek Award in the George London Competition, first prize winner of the Palm Beach Opera Competition, and first prize winner in the Eleanor McCollum Competition at Houston Grand Opera.
Ms. McDonald has sung in opera houses all over the world including Belgium, Denmark, France, Germany, Italy, Spain, the Netherlands and Japan. She now resides in NYC and in addition to performance, is sharing her talents with the next generation of young artists through private sessions and masterclasses.
I forgot how important it is to have recess during the day. Did you ever notice that part of growing up meant that somewhere along the line we cancelled recess? I don't remember agreeing to that.